Wes Anderson, as known as a famous American film director, also famous on how him directed films in his symmetry style. I watch The Fantastic Mr. Fox. Moonrise Kingdom and The Grand Budapest Hotel.
Most of people are talking about his symmetry camera shot, I can understand. That is the most significant style when you first time see his film. Then I start to think about how he apply the color tone into his film, to make it feel oily and surrealism. His film have a kind of color keys tone, it like a filter style, I saw that kind of style in some 80's, 90's film. Like scissorhands edward. The film is doing fantasy and romance story combo in a fantasy world, it keep a filter's color tone to make it feel unrealistic. Wes Anderson usually uses warm color into his film, like The Fantastic Mr. Fox is saturated warm orange tone, Moonrise Kingdom is kind of warm yellowish green and The Grand Budapest is purple pink.
For me I especially like the opening and the ending from the Moonrise Kingdom. It sets up so well and stylize, you can know it's his film when you first time see it. The opening sequence pan the camera, and establish girl's house. I see the house decoration and just can feel how fake it is. It's clean and neat, but feels deliberately. You know this family is something wrong, and they are trying to pretend they are just okay. It's a family without connection. And the ending back to the sane environment from girl's house, still the same set, but Sam is in the center painting to stand out. You can compare the difference about the girl's change.
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